The stone was originally located further down the hill, towards Dingwall, but was moved to its current site in 1411. One old traditional story, is that the stone marks the site of a Scottish clan battle that took place in 1411 between the Clan Munro and a branch of the Clan MacDonald, and that the stone commemorates a Munro victory as it is marked with their symbol, an eagle.]]>
The symbol is found in various combinations with other symbols, notably with the crescent and v-rod. The symbol is constructed from a larger central circle flanked with two smaller circles on either side. It is sometimes shown with a "bar" bisecting all three circles.]]>
The Z-rod, like the V-rod, may represent a broken arrow or spear, but again this is a Pictish symbol of unknown meaning.
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Also sometimes a square shaped motif with Z-rod symbol is represented.

It is thought that the rectangle in the centre of the lower half of these shapes, may represent a doorway.]]>
The comb and mirror are thought to be symbols of female wealth and prestige, and may denote a woman’s memorial, although they are also heavily associated with mermaids.]]>
- George Bain, Celtic Art, The Methods of Construction.]]>
The interlacing of human form and Celtic knots evolved from laws forbidding drawing portraits of human figures as this was tantamount to copying a work of the creator, “God the Almighty,” explains Bain in his book Celtic Art. Similarly, it was forbidden to draw animals or plants. Angels and mythic creatures, on the other hand, were not of the earthly realm. And Saints had departed this realm. Thus, Celtic knot patterns were used to represent most of the human form, while heads, appendages and tails were often depicted using more life-like representations.]]> ]]>
The few survivors of a great artistic period, the books of Durrow, Kells, Lindisfarne and St. Chad will shed a light for future generations upon the greatness of the art and the other cultures of the Picts and the Briton. - George Bain - Celtic Art, The methods of Construction.]]>