<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/382">
    <dcterms:title><![CDATA[Tarbat Discovery Centre]]></dcterms:title>
    <dcterms:subject><![CDATA[Housed in the refurbished interior of Tarbat Old Parish Church in Portmahomack, the Centre displays fragments of Pictish sculpture revealed by ongoing excavations at the site. They include cattle licking their new-born calf, a rooting wild boar, and a snarling dragon with a serpent head on its tail. There are also replicas and photographs of the pieces of Pictish sculpture from Tarbat which are now in the Museum of Scotland in Edinburgh. The excavations by the University of York have revealed an 8th-century Pictish monastery, its stone buildings, farm, and metalworking shop. The Centre has interactive touchscreens with information on the Picts, and shows a video on the Picts of Easter Ross. When the dig is in progress, tours guided by archaeologists are included in the admission charge to the Centre.]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/383">
    <dcterms:title><![CDATA[Groam House Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[An outstanding centre for Pictish and Celtic Art in Ross-shire. The unique display is focused on 15 carved Pictish stones which all originated in the village, an important centre of early Christianity. The sculptures are amongst the works of Pictish Art that inspired George Bain, the ‘father of modern Celtic design’, most of whose surviving artwork is in the care of the museum.  The George Bain Collection has been awarded the status of a Recognised Collection of National Significance by Museums Galleries Scotland, the first and only one in the Highlands. The pride of the permanent display is the magnificent Rosemarkie cross-slab, decorated with enigmatic Pictish symbols and Christian crosses.]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/384">
    <dcterms:title><![CDATA[Fish]]></dcterms:title>
    <dcterms:description><![CDATA[The fish symbol is also known as the Salmon, it may be symbolic of wisdom and prophecy.<br />
<br />
Salmon figure prominently in Celtic mythological tales, they often inhabited the sacred wells, feeding on the fruits (often, hazelnuts) of the tree of life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/386">
    <dcterms:title><![CDATA[Design from Book of Kells]]></dcterms:title>
    <dcterms:description><![CDATA[digitized imaged from George Bain, Celtic Art, Methods of Construction, design taken from The Book of Kells.]]></dcterms:description>
    <dcterms:source><![CDATA[Book of Kells]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/387">
    <dcterms:title><![CDATA[Snake]]></dcterms:title>
    <dcterms:description><![CDATA[The serpent or snake, is thought to be a symbol of medicine and healing, although this is unknown.<br />
<br />
The snake symbol can also be found with a Z-rod through it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/388">
    <dcterms:title><![CDATA[Cross on the back of Rosemarkie Stone]]></dcterms:title>
    <dcterms:description><![CDATA[Vector Image]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/389">
    <dcterms:title><![CDATA[The cross on the back of the Rosermarkie Cross Slab]]></dcterms:title>
    <dcterms:description><![CDATA[Featuring interlace and four bosses.  Surrounded by a key pattern border.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/390">
    <dcterms:title><![CDATA[back-cross-together - reverse colour.jpg]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/391">
    <dcterms:title><![CDATA[double disc and z-rod]]></dcterms:title>
    <dcterms:description><![CDATA[Beneath the double disc and Z-rod is a double sided comb.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/392">
    <dcterms:title><![CDATA[Crescent V-rod with interlace]]></dcterms:title>
    <dcterms:description><![CDATA[Underneath the Crescent with interlace, the symbols may be the back and front of a mirror, alternatively the larger one may be a mirror case.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/393">
    <dcterms:title><![CDATA[Spirals<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[A spiral is a curve which emanates from a central point, getting progressively farther away as it revolves around the point.]]></dcterms:subject>
    <dcterms:description><![CDATA[The noble spirals of Aberlemno, Shandwick, Tarbat, Hilton of Cadboll, Nigg the Tara Brooch, and the Ardagh chalice led the way to the great art of the scribes, who produced the supreme masterpieces of the world’s decoration of books, profusely embellished with spiral art.<br />
<br />
The few survivors of a great artistic period, the books of Durrow, Kells, Lindisfarne and St. Chad will shed a light for future generations upon the greatness of the art and the other cultures of the Picts and the Briton. - George Bain - Celtic Art, The methods of Construction.]]></dcterms:description>
    <dcterms:creator><![CDATA[Vector image created from George Bain book, Celtic Art.]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/394">
    <dcterms:title><![CDATA[Interlace]]></dcterms:title>
    <dcterms:description><![CDATA[According to artist George Bain, Religion and Pagan laws had the greatest influence on the art form of Celtic knots, playing an important role in there design.<br />
<br />
The interlacing of human form and Celtic knots evolved from laws forbidding drawing portraits of human figures as this was tantamount to copying a work of the creator, “God the Almighty,” explains Bain in his book Celtic Art.  Similarly, it was forbidden to draw animals or plants. Angels and mythic creatures, on the other hand, were not of the earthly realm. And Saints had departed this realm. Thus, Celtic knot patterns were used to represent most of the human form, while heads, appendages and tails were often depicted using more life-like representations.]]></dcterms:description>
    <dcterms:creator><![CDATA[Vector image  created from George Bain book, Celtic Art.]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/395">
    <dcterms:title><![CDATA[Zoomorphics]]></dcterms:title>
    <dcterms:description><![CDATA[Zoomorphic ornaments are those based upon the forms of animals, birds and reptiles.  Anthropomorphic ornaments are those based upon the forms of the human body.  They make an early appearance in the Art of Bronze-age Britain and Ireland, and in the Bronze-age Gaulish, la Tene, and other European forms of Celtic Art. - George Bain - Celtic Art, The Methods of Construction.<br />
<br />
Zoomorphism is the shaping of something in animal form or terms. Examples include: Art that imagines humans as non-human animals. Art that portrays one species of animal like another species of animal.]]></dcterms:description>
    <dcterms:creator><![CDATA[Vector image created from George Bain book Celtic Art.]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/396">
    <dcterms:title><![CDATA[Plant Forms]]></dcterms:title>
    <dcterms:description><![CDATA[The reference to the plant forms which rarely occur in the Book of Kells and not at all in the Book of Durrow and Lindisfarne, have been used to prove that the two latter books belong to an earlier period. It is the author’s opinion (George Bain), based upon many evidences, that the Book of Lindisfarne is later than the Book of Kells.  Foliated ornaments entered Southern Britain with the Roman invasions, and forms of Gothic foliage came with the invaders after the fall of Rome, but they differ from those of the Pictish Stones of East Scotland and those of the Book of Kells. In the portions of that book that have been available to the author for research, namely the “studio” publication in colours, of some of its most important pages, and “Celtic Illuminative Art” in black and white, by Rev. Stanford F.H. Robinson, M.A., the examples, with one exception, emerge from pots or beakers. The extreme minuteness of these examples make it probable that the pots have not been noticed and no known mention of them has hitherto been made. Without any possible doubt, this is a pagan and, later, a Christian symbol and its use was a religious one and not merely decorative. - George Bain, Celtic Art, the Method of Construction.]]></dcterms:description>
    <dcterms:creator><![CDATA[Vector image created from George Bain book, Celtic Art.]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/397">
    <dcterms:title><![CDATA[Human Figures]]></dcterms:title>
    <dcterms:subject><![CDATA[Human Figures]]></dcterms:subject>
    <dcterms:description><![CDATA[ The representations of human figures by Celtic Artists were influenced by the Pagan Laws that forbade the copying of the works of the Almighty Creator.  In Celtic Zoomorphic ornaments the physical appearance of man was not copied.  His legs, arms, body, topknot, hair and beard interlaced with each other.  Portraiture of a living person, in his created form was a heinous crime.  The portrayal of the Saints of the sacred Gospels in the Book of Kells and Lindisfarne was that of a persons who had long departed from earthly habitation and of the angels who were migrants of the Heavenly Host.<br />
<br />
- George Bain, Celtic Art, The Methods of Construction.]]></dcterms:description>
    <dcterms:creator><![CDATA[Vector image created from George Bain book, Celtic Art.]]></dcterms:creator>
    <dcterms:source><![CDATA[Book of Kells]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/398">
    <dcterms:title><![CDATA[Mirror and Comb]]></dcterms:title>
    <dcterms:description><![CDATA[Another object commonly inscribed on Pictish stones is the mirror, often paired with a comb.<br />
<br />
The comb and mirror are thought to be symbols of female wealth and prestige, and may denote a woman’s memorial, although they are also heavily associated with mermaids.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/399">
    <dcterms:title><![CDATA[Double Disc Z-Rod]]></dcterms:title>
    <dcterms:description><![CDATA[The double disc is a Pictish symbol of unknown meaning, that is frequently found on Class I and Class II Pictish stones, as well as on Pictish metalwork. The symbol can be found with and without an overlaid Z-rod (also of unknown meaning), and in combinations of both.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/400">
    <dcterms:title><![CDATA[Motif and Z-rod]]></dcterms:title>
    <dcterms:description><![CDATA[This symbol is known as the rectangular Motif and Z-Rod, again, this Pictish symbol is of unknown meaning.  <br />
<br />
Also sometimes a square shaped motif with Z-rod symbol is represented. <br />
<br />
It is thought that the rectangle in the centre of the lower half of these shapes, may represent a doorway.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/401">
    <dcterms:title><![CDATA[Broken Sword or Tuning Fork]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://openvirtualworlds.org/omeka/items/show/402">
    <dcterms:title><![CDATA[Serpent &amp; Z-rod]]></dcterms:title>
    <dcterms:description><![CDATA[The serpent or snake, is thought to be a symbol of medicine/healing, although this is unknown.<br />
<br />
The Z-rod, like the V-rod, may represent a broken arrow or spear, but again this is a Pictish symbol of unknown meaning.<br />
]]></dcterms:description>
</rdf:Description></rdf:RDF>
