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                <text>George Bain Drawing - Cross Symbols.</text>
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                <text>Ulbster Stone.</text>
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                <text>Necessary lay-out required for Ulbster Stone cross symbol.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - The Cross from Ulbster Stone.</text>
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                <text>Class II symbol stone.&#13;
&#13;
This drawing shows the cross detail on the back of the stone.  Also on the back of the stone is an elephant over a salmon, a crescent and V-rod over a beast, a fish-monster over a step and a double-disc over a double-crescent.&#13;
&#13;
On the face of the stone,  above another cross is carved a cow and other animals. Below the cross are two kneeling figures with a cauldron together with a horse and a colt. Below these is a serpent and a flower to the right.</text>
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                <text>Drawing.&#13;
&#13;
'The Ulbster Stone, Caithness, Scotland.  Now in Thurso Museum'.&#13;
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Trinity Symbol.</text>
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                <text>Trinity symbol repeated 12 times on this cross.&#13;
The various contents of the Ulbster Stone Cross.&#13;
&#13;
'These stones and many others on the northern and eastern sides of the Scottish Grampians have no connection with Christianity and are Religious Stones'.&#13;
&#13;
'It is my opinion that this cross bears some support to immigration of the British Celts from West Asia and East Europe by land routs many centuries before the founding of Rome'.&#13;
&#13;
'Commencing with the cross which was old in Asia and Europe in 6000 BC and latter became known as the 'Greek Cross' the designer-Priest put a diagonal cross of the Celts into its 5 parts.  This again was converted into the Trinity Symbol 12 times, perhaps the central group of 4 parts has Eastern Mediterranean influences, like the Maltese Cross with it's double pointed or forked arms'.&#13;
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                <text>Drawing with text.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Horse.</text>
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                <text>'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'. - George Bain.&#13;
&#13;
The name Knossos survives from ancient Greek references to the major city of Crete.&#13;
&#13;
Knossos is the largest Bronze Age archaeological site on Crete and is considered Europe's oldest city.</text>
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                <text>Drawing.&#13;
&#13;
Knossos Tablet,  Aberdeen-shire.&#13;
&#13;
'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'.&#13;
&#13;
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                <text>George Bain Drawing - Interlacing.</text>
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                <text>'This interlacing is all in one line, one end, the other is opposite'.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing  - Aberlemno Cross</text>
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                <text>Drawing.&#13;
&#13;
'Centre of the Aberlemno Cross'.</text>
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                <text>This Drawing shows the detail of the spiral arangment from the centre of the celtic cross of the front of the Aberlemno Cross.&#13;
&#13;
The well preserved Pictish Cross-Slab in Aberlemno Kirkyard is sculpted with a Celtic Cross in relief and a background of intertwined beasts.&#13;
&#13;
The reverse of the Cross-Slab has a panel showing a battle scene with long-haired Pictish warriors fighting Northumbrians wearing helmets with nose guards. There are warriors and horsemen bearing spears, swords and shields, and a dying Northumbrian being pecked by a raven. This is thought to portray the Battle of Dunnichen which took place only 10 km from Aberlemno. </text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Order of Key.</text>
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                <text>This drawing highlights a Key Pattern detail from Aberlemno Cross Slab.&#13;
&#13;
The well preserved Pictish Cross-Slab in Aberlemno Kirkyard is sculpted with a Celtic Cross in relief and a background of intertwined beasts.&#13;
&#13;
The reverse of the Cross-Slab has a panel showing a battle scene with long-haired Pictish warriors fighting Northumbrians wearing helmets with nose guards. There are warriors and horsemen bearing spears, swords and shields, and a dying Northumbrian being pecked by a raven. This is thought to portray the Battle of Dunnichen which took place only 10 km from Aberlemno.</text>
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                <text>Drawing.&#13;
&#13;
Aberlemno Cross.&#13;
'Right arm of Aberlemno Cross'.&#13;
&#13;
Correct Order of Key&#13;
123494321 -5&#13;
12345,10,4321 - C</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Sutherland.</text>
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                <text>Reconstruction Drawing.&#13;
&#13;
'Above red line, probable reconstruction of the portion of the stone at Collieburn, Sutherland, Scotland'.&#13;
Key order 24511542 . S -&#13;
&#13;
'above the red line is missing'.</text>
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                <text>Cist and Cross Slab. The lower part of an upright cross-slab of yellow sandstone was found erect under 7 feet of sand during the railway excavations near Collieburn, Sutherland, Scotland in 1869. It is 5 ft 2 inches high and sculptured in relief on two faces, with double-headed knot-work, a swastika cross, a key pattern and small circular bosses. The slab appears to have been re-used as a door jamb or similar secondary purpose. It is in Dunrobin Museum.&#13;
&#13;
George Bains drawing depicts - 'Above red line, probable reconstruction of the portion of the stone (missing) at Collieburn, Sutherland, Scotland'.&#13;
&#13;
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                <text>George Bain Drawing  from Book of Kells</text>
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                <text>George Bain - commemorative memorial  plaque </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="420">
                <text>'In this place of her choice and her happy childhood, the ashes of Jessie Mackintosh were scattered by her husband George Bain, who hopes to join her here'.&#13;
&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="421">
                <text>'The sudden death of his (George Bain's) wife in 1957 was a tremendous grief to him.  In her memory he designed a bronze plaque which marks the resting place of her scattered ashes in the Highlands'.&#13;
&#13;
'George Bain died in Codsall, Staffordshire on 25 March 1968.  His ashes were scattered, as he wishes, in the same place as those of his wife, Jessie, beside their joint memorial'.&#13;
&#13;
                - George Bain, Master of Celtic Art&#13;
                                - Susan E Seright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="517">
                <text>George Bain.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="6">
        <name>George Bain</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
