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                <text>George Bain Drawing - ROME, Basilica di s.  Maria in Trastevere.</text>
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                <text>Peacocks.&#13;
Book of Kells.&#13;
Nigg Stone.</text>
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                <text>Drawing.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Rossie Priory Stone.</text>
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                <text>Class II symbol stone.&#13;
&#13;
One of the most impressive Early Christian monuments of south-east Perth, this cross-slab is in the former church of Rossie, which is now the mausoleum of the Kinnaird family. Decorated in relief on both faces, it measures 1.67m in height, 1.16m in width at the base and up to 0.3m in thickness. The front is decorated with a cross in high relief, lacking the left arm; the cross is ringed and has rounded hollow armpits and a central roundel of interlace. The top arm and shaft are decorated with panels of interlace, while the surviving arm bears key pattern. The panels on either side of the head contain, on the left, a beast with a human head and curling tail; on the other side, a beaked figure holding an axe with both hands attacks a claw-footed bird. On the left side of the shaft are carved a beast with its tail curled over its back; a naked man under attack from a beast and a fish-tailed monster; and a pair of confronted beasts, each swallowing a bird. On the right-hand side of the shaft there is a beast swallowing a serpent; below this there is an animal with a bovine head and large eyes. At the bottom of the slab there is a pair of monsters with human heads, the fins of a fish and beast-headed tails, bodies intertwined, facing in opposite directions, one astride the other; their beards and flowing hair are very clearly shown. On the back of the slab, a second cross, set within an interlaced border, is the dominant feature. There is an animal head just below the left arm of the cross where the interlace begins, with the pattern ending in a fish-like tail below the right arm. The almost equal-armed cross has rounded hollow armpits and a central roundel of key pattern and interlace decoration in the arms, which merges into that of the border. The short shaft and its stepped base are outlined by beading and contain figural decoration: three horsemen ranged vertically form a hunting scene with two further horsemen and a pair of hunting dogs on the right-hand side of the shaft. In the spaces above the side-arms of the cross are carved an angel and a figure holding a pair of birds by the necks. Finally, on the left-hand side of the shaft and pedestal there are a crescent and V-rod, a 'Pictish beast', and a kneeling animal looking back at the head which forms the termination of its tail.</text>
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                <text>Drawing by George Bain.</text>
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                <text>George Bain Drawing - Sutherland.</text>
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                <text>Reconstruction Drawing.&#13;
&#13;
'Above red line, probable reconstruction of the portion of the stone at Collieburn, Sutherland, Scotland'.&#13;
Key order 24511542 . S -&#13;
&#13;
'above the red line is missing'.</text>
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                <text>Cist and Cross Slab. The lower part of an upright cross-slab of yellow sandstone was found erect under 7 feet of sand during the railway excavations near Collieburn, Sutherland, Scotland in 1869. It is 5 ft 2 inches high and sculptured in relief on two faces, with double-headed knot-work, a swastika cross, a key pattern and small circular bosses. The slab appears to have been re-used as a door jamb or similar secondary purpose. It is in Dunrobin Museum.&#13;
&#13;
George Bains drawing depicts - 'Above red line, probable reconstruction of the portion of the stone (missing) at Collieburn, Sutherland, Scotland'.&#13;
&#13;
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Tara Brooch.</text>
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                <text>Tara Brooch.</text>
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                <text>George Bain Drawing - The Cross from Ulbster Stone.</text>
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                <text>Class II symbol stone.&#13;
&#13;
This drawing shows the cross detail on the back of the stone.  Also on the back of the stone is an elephant over a salmon, a crescent and V-rod over a beast, a fish-monster over a step and a double-disc over a double-crescent.&#13;
&#13;
On the face of the stone,  above another cross is carved a cow and other animals. Below the cross are two kneeling figures with a cauldron together with a horse and a colt. Below these is a serpent and a flower to the right.</text>
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                <text>Drawing.&#13;
&#13;
'The Ulbster Stone, Caithness, Scotland.  Now in Thurso Museum'.&#13;
.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - The probable method of construction, Sutton Hoe.</text>
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                <text>Sutton Hoe.  Enameled Bronze Buckle.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Trinity Symbol.</text>
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                <text>Trinity symbol repeated 12 times on this cross.&#13;
The various contents of the Ulbster Stone Cross.&#13;
&#13;
'These stones and many others on the northern and eastern sides of the Scottish Grampians have no connection with Christianity and are Religious Stones'.&#13;
&#13;
'It is my opinion that this cross bears some support to immigration of the British Celts from West Asia and East Europe by land routs many centuries before the founding of Rome'.&#13;
&#13;
'Commencing with the cross which was old in Asia and Europe in 6000 BC and latter became known as the 'Greek Cross' the designer-Priest put a diagonal cross of the Celts into its 5 parts.  This again was converted into the Trinity Symbol 12 times, perhaps the central group of 4 parts has Eastern Mediterranean influences, like the Maltese Cross with it's double pointed or forked arms'.&#13;
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                <text>George Bain.</text>
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                <text>George Bain Drawing -Knot-work panel.</text>
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                <text>Continuous lines.</text>
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                <text>In faded pencil at the bottom of this drawing reads: &#13;
'AN EXPERIMENT OF THE ODD NUMBERED METHOD FOR MARKING A CONTINUOUS LINE, THIS HAS MADE TWO LINES.'</text>
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                <text>George Bain Drawing from Book of Kells 2</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="445">
                <text>Book of Kells.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446">
                <text>Drawing.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="447">
                <text>George Bain.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="7">
        <name>Book of Kells</name>
      </tag>
      <tag tagId="6">
        <name>George Bain</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
