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                <text>George Bain Drawing - Horse.</text>
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                <text>'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'. - George Bain.&#13;
&#13;
The name Knossos survives from ancient Greek references to the major city of Crete.&#13;
&#13;
Knossos is the largest Bronze Age archaeological site on Crete and is considered Europe's oldest city.</text>
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                <text>Drawing.&#13;
&#13;
Knossos Tablet,  Aberdeen-shire.&#13;
&#13;
'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'.&#13;
&#13;
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Interlacing.</text>
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                <text>Drawing.</text>
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                <text>'This interlacing is all in one line, one end, the other is opposite'.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Key Patterns.</text>
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                <text>Key Patterns from:&#13;
Perthshire.&#13;
Nigg Stone.&#13;
Book of Kells.&#13;
Margam Abbey, Wales.&#13;
Nevern, Wales.&#13;
Golden Grove, Carmarthenshire, Wales.</text>
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                <text>Comparison key patterns. </text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Mosaic Pavement, Roman villa, Chedworth and Roman Pavement, Itchen Abbus, Winchester.</text>
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                <text>Examples of one continuous line.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - One Continuous Line.</text>
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                <text>'THE GOD DELIGHTS IN ODD NUMBERS'</text>
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                <text>George Bain Drawing - Order of Key.</text>
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                <text>This drawing highlights a Key Pattern detail from Aberlemno Cross Slab.&#13;
&#13;
The well preserved Pictish Cross-Slab in Aberlemno Kirkyard is sculpted with a Celtic Cross in relief and a background of intertwined beasts.&#13;
&#13;
The reverse of the Cross-Slab has a panel showing a battle scene with long-haired Pictish warriors fighting Northumbrians wearing helmets with nose guards. There are warriors and horsemen bearing spears, swords and shields, and a dying Northumbrian being pecked by a raven. This is thought to portray the Battle of Dunnichen which took place only 10 km from Aberlemno.</text>
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                <text>Drawing.&#13;
&#13;
Aberlemno Cross.&#13;
'Right arm of Aberlemno Cross'.&#13;
&#13;
Correct Order of Key&#13;
123494321 -5&#13;
12345,10,4321 - C</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Part of a Spiral Group from Book of Durrow.</text>
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                <text>Book of Durrow.&#13;
Bronze pin, Ireland.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Part of Inscription on Newton Stone, Aberdeen-shire.</text>
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                <text>The Newton Stone is a pillar stone, found in Aberdeenshire, Scotland. The stone contains two inscriptions, one, written in Ogham, but the second script has never been positively identified and many different decipherments or theories have been proposed since the 1860s.&#13;
&#13;
The Newton Stone contains two inscriptions. The first is an Ogham script possibly containing personal names, while the second has never been identified and became known from the early 19th century as the "unknown script". The Ogham script is engraved down the left-hand side of the stone and runs across part of its face. There are two rows of Ogham, a long and a short row. Across the top third of the stone, roughly central, is the unidentified script which contains 6 lines comprising 48 characters and symbols, including a swastika.&#13;
&#13;
The second script may have been added to the stone as recent as the late 18th or beginning of the 19th century.</text>
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                <text>Newton Stone.</text>
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                <text>Drawing by George Bain.</text>
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                <text>George Bain Drawing - Portion of Mosaic pavement at Chedworth roman Villa.</text>
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                <text>Corner panel representing the season of Winter.</text>
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                <text>George Bain Drawing - roman Mosaic Pavement from Verulamium.</text>
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                <text>Eoghan Carmichael first discovered that Pictish Artists used this odd-numbered method to make continuous lines.</text>
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