25 10 568 https://openvirtualworlds.org/broadlands/files/original/1/340/Stones_of_Scotland_1.jpg bbefd912aea350f35dfe625a4d52d1c5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stones of Scotland. Subject The topic of the resource Book. Description An account of the resource Printed for the Spalding Club. Aberdeen. Date A point or period of time associated with an event in the lifecycle of the resource 1856 https://openvirtualworlds.org/broadlands/files/original/1/341/George_Bain_1881-1968.jpg d4d2176308851a00c2a0d33c08931168 Person An individual. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Bain - 1881–1968 Subject The topic of the resource born in Scrabster in the far north of Scotland, was an art teacher who almost single-handedly revived interest in Celtic and Insular art. Description An account of the resource His book Celtic Art: The Methods of Construction was published in 1951. It had little impact at the time, but on its re-issue in 1971 it introduced a generation to Celtic knotwork, the Pictish stones, the Book of Kells and the Book of Durrow. As well as describing and illustrating over 200 historical examples, his book was notable for giving detailed instructions on creating similar interlace, spiral, and trumpet designs, and encouraging their use in craftwork. Bain's monograph inspired the design for the cover of King Crimson's Discipline album; in later releases, it was replaced by a knotwork designed by Steve Ball, which has also been used the logo of Discipline Global Mobile and Guitar Craft, a music company and a musicians' association each founded by King Crimson's Robert Fripp. A Bain design was also used to illustrate a rug manufactured by Quayle and Tranter, a former manufacturer of carpets based in Kidderminster, England. His son Iain, an engineer, later also wrote two books - "Celtic Knotwork" and "Celtic Key Patterns". The majority of Bain's known existing works are curated by the Groam House Museum in Rosemarkie, Scotland. George Bain https://openvirtualworlds.org/broadlands/files/original/1/343/DSC02682.JPG e79b346f867131c79bb09d588049ebbd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carved Fragment https://openvirtualworlds.org/broadlands/files/original/1/346/DSC02697.JPG 653597500d1627d6dd83271f3aed7b2b https://openvirtualworlds.org/broadlands/files/original/1/346/DSC02698.JPG dd0ca73796e7e1255302c2ae4cefcd91 https://openvirtualworlds.org/broadlands/files/original/1/346/DSC02699.JPG ddc74bf5c466393d5cc75e85e842197a https://openvirtualworlds.org/broadlands/files/original/1/346/DSC02700.JPG d951975f74cb125e06b48810e1e339ec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carved Framgent https://openvirtualworlds.org/broadlands/files/original/1/347/DSC02701.JPG efab116ba9356bcc7cbccfda379c77f0 https://openvirtualworlds.org/broadlands/files/original/1/347/DSC02702.JPG b2ee0b897ce865197926628cac68d397 https://openvirtualworlds.org/broadlands/files/original/1/347/DSC02703.JPG 057cb6094872cf9df7a1b738511b89dd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bell https://openvirtualworlds.org/broadlands/files/original/349/book_of_kells_cover.jpg 0100b6e9c29746e840c7cfb90f3e2753 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cover Image - Book of Kells Description An account of the resource The Book of Kells contains the four Gospels of the Christian scriptures written in black, red, purple, and yellow ink in an insular majuscule script, preceded by prefaces, summaries, and concordances of Gospel passages. Today, it consists of 340 vellum leaves, or folios. The majority of the folios are part of larger sheets, called bifolios, which are folded in half to form two folios. The bifolios are nested inside of each other and sewn together to form gatherings called quires. On occasion, a folio is not part of a bifolio but is instead a single sheet inserted within a quire. The extant folios are gathered into 38 quires. There are between four and twelve folios (two to six bifolios) per quire; the folios are commonly, but not invariably, bound in groups of ten. Some folios are single sheets, as is frequently the case with the important decorated pages. The folios had lines drawn for the text, sometimes on both sides, after the bifolios were folded. Prick marks and guide lines can still be seen on some pages. The vellum is of high quality, although the folios have an uneven thickness, with some being close to leather while others are so thin as to be almost translucent. The book's current dimensions are 330 by 250 mm. Originally, the folios were of no standard size, but they were cropped to the current size during a 19th-century rebinding. The text area is approximately 250 by 170 mm. Each text page has 16 to 18 lines of text. The manuscript is in remarkably good condition considering its great age, though many pages have suffered some damage to the delicate artwork due to rubbing. The book must have been the product of a major scriptorium over several years, yet was apparently never finished, the projected decoration of some of the pages appearing only in outline. It is believed that some 30 folios of the original manuscript have been lost over the centuries. Ussher counted 344 folios in 1621, but several leaves had already been lost by then. The overall estimate is based on gaps in the text and the absence of certain key illustrations. Source A related resource from which the described resource is derived The Book of Kells is one of the finest and most famous of a group of manuscripts in what is known as the Insular style, produced from the late 6th through the early 9th centuries in monasteries in Ireland, Scotland and England and in continental monasteries with Hiberno-Scottish or Anglo-Saxon foundations. These manuscripts include the Cathach of St. Columba, the Ambrosiana Orosius, fragmentary Gospel in the Durham Dean and Chapter Library (all from the early 7th century), and the Book of Durrow (from the second half of the 7th century). From the early 8th century come the Durham Gospels, the Echternach Gospels, the Lindisfarne Gospels (see illustration at right), and the Lichfield Gospels. Among others, the St. Gall Gospel Book belongs to the late 8th century and the Book of Armagh (dated to 807–809) to the early 9th century. Scholars place these manuscripts together based on similarities in artistic style, script, and textual traditions. The fully developed style of the ornamentation of the Book of Kells places it late in this series, either from the late 8th or early 9th century. The Book of Kells follows many of the iconographic and stylistic traditions found in these earlier manuscripts. For example, the form of the decorated letters found in the incipit pages for the Gospels is surprisingly consistent in Insular Gospels. Compare, for example, the incipit pages of the Gospel of Matthew in the Lindisfarne Gospels and in the Book of Kells, both of which feature intricate decorative knot work patterns inside the outlines formed by the enlarged initial letters of the text. Book of Kells https://openvirtualworlds.org/broadlands/files/original/1/350/large_poster_image_-_corner_1.tif e27c1d1f163476f7cad2010a6a28aa38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rosemarkie Stone 1235 Subject The topic of the resource It is believed at this date that the Rosemarkie Stone was used as part of the Rosemarkie Parish Church flooring. It is thought that this is why it is so badly worn on one side. Rosemarkie Stone