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                <text>George Bain Drawing  from Book of Kells</text>
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                <text>Drawing.</text>
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                <text>Book of Kells.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Sutherland.</text>
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                <text>Reconstruction Drawing.&#13;
&#13;
'Above red line, probable reconstruction of the portion of the stone at Collieburn, Sutherland, Scotland'.&#13;
Key order 24511542 . S -&#13;
&#13;
'above the red line is missing'.</text>
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                <text>Cist and Cross Slab. The lower part of an upright cross-slab of yellow sandstone was found erect under 7 feet of sand during the railway excavations near Collieburn, Sutherland, Scotland in 1869. It is 5 ft 2 inches high and sculptured in relief on two faces, with double-headed knot-work, a swastika cross, a key pattern and small circular bosses. The slab appears to have been re-used as a door jamb or similar secondary purpose. It is in Dunrobin Museum.&#13;
&#13;
George Bains drawing depicts - 'Above red line, probable reconstruction of the portion of the stone (missing) at Collieburn, Sutherland, Scotland'.&#13;
&#13;
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Order of Key.</text>
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                <text>This drawing highlights a Key Pattern detail from Aberlemno Cross Slab.&#13;
&#13;
The well preserved Pictish Cross-Slab in Aberlemno Kirkyard is sculpted with a Celtic Cross in relief and a background of intertwined beasts.&#13;
&#13;
The reverse of the Cross-Slab has a panel showing a battle scene with long-haired Pictish warriors fighting Northumbrians wearing helmets with nose guards. There are warriors and horsemen bearing spears, swords and shields, and a dying Northumbrian being pecked by a raven. This is thought to portray the Battle of Dunnichen which took place only 10 km from Aberlemno.</text>
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                <text>Drawing.&#13;
&#13;
Aberlemno Cross.&#13;
'Right arm of Aberlemno Cross'.&#13;
&#13;
Correct Order of Key&#13;
123494321 -5&#13;
12345,10,4321 - C</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing  - Aberlemno Cross</text>
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                <text>Drawing.&#13;
&#13;
'Centre of the Aberlemno Cross'.</text>
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                <text>This Drawing shows the detail of the spiral arangment from the centre of the celtic cross of the front of the Aberlemno Cross.&#13;
&#13;
The well preserved Pictish Cross-Slab in Aberlemno Kirkyard is sculpted with a Celtic Cross in relief and a background of intertwined beasts.&#13;
&#13;
The reverse of the Cross-Slab has a panel showing a battle scene with long-haired Pictish warriors fighting Northumbrians wearing helmets with nose guards. There are warriors and horsemen bearing spears, swords and shields, and a dying Northumbrian being pecked by a raven. This is thought to portray the Battle of Dunnichen which took place only 10 km from Aberlemno. </text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Interlacing.</text>
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                <text>Drawing.</text>
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                <text>'This interlacing is all in one line, one end, the other is opposite'.</text>
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                <text>George Bain.</text>
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        <name>George Bain</name>
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                <text>George Bain Drawing - Horse.</text>
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                <text>'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'. - George Bain.&#13;
&#13;
The name Knossos survives from ancient Greek references to the major city of Crete.&#13;
&#13;
Knossos is the largest Bronze Age archaeological site on Crete and is considered Europe's oldest city.</text>
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                <text>Drawing.&#13;
&#13;
Knossos Tablet,  Aberdeen-shire.&#13;
&#13;
'This stone and other suggest prehistoric connection with Scottish Celts and Mycenaean etc cultures'.&#13;
&#13;
</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Trinity Symbol.</text>
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                <text>Trinity symbol repeated 12 times on this cross.&#13;
The various contents of the Ulbster Stone Cross.&#13;
&#13;
'These stones and many others on the northern and eastern sides of the Scottish Grampians have no connection with Christianity and are Religious Stones'.&#13;
&#13;
'It is my opinion that this cross bears some support to immigration of the British Celts from West Asia and East Europe by land routs many centuries before the founding of Rome'.&#13;
&#13;
'Commencing with the cross which was old in Asia and Europe in 6000 BC and latter became known as the 'Greek Cross' the designer-Priest put a diagonal cross of the Celts into its 5 parts.  This again was converted into the Trinity Symbol 12 times, perhaps the central group of 4 parts has Eastern Mediterranean influences, like the Maltese Cross with it's double pointed or forked arms'.&#13;
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                <text>Drawing with text.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - The Cross from Ulbster Stone.</text>
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                <text>Class II symbol stone.&#13;
&#13;
This drawing shows the cross detail on the back of the stone.  Also on the back of the stone is an elephant over a salmon, a crescent and V-rod over a beast, a fish-monster over a step and a double-disc over a double-crescent.&#13;
&#13;
On the face of the stone,  above another cross is carved a cow and other animals. Below the cross are two kneeling figures with a cauldron together with a horse and a colt. Below these is a serpent and a flower to the right.</text>
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                <text>Drawing.&#13;
&#13;
'The Ulbster Stone, Caithness, Scotland.  Now in Thurso Museum'.&#13;
.</text>
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                <text>George Bain Drawing - Cross Symbols.</text>
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                <text>Ulbster Stone.</text>
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                <text>Necessary lay-out required for Ulbster Stone cross symbol.</text>
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                <text>George Bain.</text>
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                <text>George Bain Drawing - Cross, square knot-work.</text>
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                <text>Ulbster Stone.&#13;
In thin line to show continuity.</text>
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            <name>Creator</name>
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                <text>George Bain.</text>
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