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                <text>The cross on the back of the Rosermarkie Cross Slab</text>
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                <text>Featuring interlace and four bosses.  Surrounded by a key pattern border.</text>
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                <text>Cross on the back of Rosemarkie Stone</text>
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                <text>The serpent or snake, is thought to be a symbol of medicine and healing, although this is unknown.&#13;
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The snake symbol can also be found with a Z-rod through it.</text>
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                <text>Design from Book of Kells</text>
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                <text>digitized imaged from George Bain, Celtic Art, Methods of Construction, design taken from The Book of Kells.</text>
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                <text>The fish symbol is also known as the Salmon, it may be symbolic of wisdom and prophecy.&#13;
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Salmon figure prominently in Celtic mythological tales, they often inhabited the sacred wells, feeding on the fruits (often, hazelnuts) of the tree of life.</text>
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                <text>An outstanding centre for Pictish and Celtic Art in Ross-shire. The unique display is focused on 15 carved Pictish stones which all originated in the village, an important centre of early Christianity. The sculptures are amongst the works of Pictish Art that inspired George Bain, the ‘father of modern Celtic design’, most of whose surviving artwork is in the care of the museum.  The George Bain Collection has been awarded the status of a Recognised Collection of National Significance by Museums Galleries Scotland, the first and only one in the Highlands. The pride of the permanent display is the magnificent Rosemarkie cross-slab, decorated with enigmatic Pictish symbols and Christian crosses.</text>
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                <text>Housed in the refurbished interior of Tarbat Old Parish Church in Portmahomack, the Centre displays fragments of Pictish sculpture revealed by ongoing excavations at the site. They include cattle licking their new-born calf, a rooting wild boar, and a snarling dragon with a serpent head on its tail. There are also replicas and photographs of the pieces of Pictish sculpture from Tarbat which are now in the Museum of Scotland in Edinburgh. The excavations by the University of York have revealed an 8th-century Pictish monastery, its stone buildings, farm, and metalworking shop. The Centre has interactive touchscreens with information on the Picts, and shows a video on the Picts of Easter Ross. When the dig is in progress, tours guided by archaeologists are included in the admission charge to the Centre.</text>
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                <text>This fascinating Victorian museum, in the grounds of Dunrobin Castle, holds, amongst other collections, an outstanding collection of over twenty Pictish stones.  It includes both Class 1 symbol stones and Class 2 cross-slabs collected from the south-east Sutherland coast, from Craigton and Little Ferry north to Navidale.</text>
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                <text>Outside the museum door, in the churchyard, is the The Ardjachie Stone, it is an uncut but decorated red sandstone boulder discovered by farmers in 1960 on the Ardjachie Farm in the Tarbat peninsula of EasterRoss.  On it are depicted several dozen cup or ring marks probably dating to the Bronze Age. It also has an inverted-L design with a wheel image above.  It is a Class I Stone. &#13;
&#13;
Visible all year -it is just inside the churchyard gate to Castle Brae, outside the museum doorway. In the museum itself are fragments of two Pictish stones found at Edderton Churchyard in 1992, and also a fragment of the Nigg Stone, found in 1999.</text>
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